Commemorating the 100th anniversary of the Nineteenth
Amendment to the United States Constitution with MAP2020: The Further We Roll,
The More We Gain, was an arts festival at locations throughout Dallas - Fort
Worth (DFW), produced through my organization, Make Art with Purpose (MAP). A core component of MAP 2020 was the commissioning of female artists to design flags visualizing themes connected to the Nineteenth Amendment. In total
19 women (artists and writers) participated in MAP2020 in an array of
programs that included exhibitions, public talks, workshops and
education programs. In addition to commemorating women’s suffrage,
MAP2020 critically examined various aspects of the amendment, such as the role
of woman of color in the movement, and who received the right to vote and who
did not, according to race and other factors.
It is well documented that women, especially women of color, are
under-represented in the arts. While there is nearly a 50/50 split in the
number of female working artists and number of MFAs earned, 25% of projects and
exhibitions are produced by women, 4% by women of color. Using the occasion of
the 100th anniversary of the Nineteenth Amendment, MAP 2020 provided funding and space for female artists and proposed
ideas and actions for the sustainability of this effort over the long term.
MAP 2020 artists and flags: Morehshin Allahyari honoring Forough Farokhzad at Dallas Museum of Art; Taylor
Barnes honoring Fannie
Lou Hamer at South Dallas Cultural Center; Viola Delgado addressing the expected role of Latina
Women at Oak Cliff Cultural Center; Ofelia
Faz-Garza honoring Mother Earth; Letitia
Huckaby honoring Shirley
Lewis at Amon Carter Museum of American Art; Amy Khosbin reflecting female resilience at
Oak Cliff Cultural Center; Annette Lawrence examining the ratification of the
Nineteenth Amendment at Conduit Gallery; Beili Liu honoring mothers of displaced
migrant children at Crow Museum of Asian Art; Vicki Meek honoring Ida B. Wells Barnett at South
Side; Tahila Corwin Mintz honoring Indigenous Women Knowledge
Carriers at The MAC; Lissa Rivera honoring Jennie June at Latino Cultural Center; Aram
Han Sifuentes honoring Dr. Mabel
Ping Hua-Lee at Literacy Achieves, Vickery Meadows; Cauleen
Smith honoring the Harriet
Tubman and the Underground Railroad at South Dallas Cultural Center and The
Wild Detectives; Delaney Smith addressing woman/fem
empowerment at Oak Cliff Aikikai,Tyler Station.
Art & the Environment in East & Central Europe (2014)
At the invitation of ARTMargins, I guest produced a special issue of the on-line edition of the Journal, which investigated historical and contemporary environmental art in the former Eastern Bloc countries through the lenses of capitalism, globalization, climate change and the legacy of Socialism. Traveling through Central Europe I had conversations with artists and curators about the connection of art, ecology and dissidence in the former Socialist Bloc, a topic that I first became interested in as a Fulbright Scholar in Slovakia in 2006. Participants included Nina Czlegledy, Maja and Reuben Fowkes, Tamás Kaszás, Marjetica Potrč and Rudolf Sikora. The material produced for ARTMargins included transcripted interviews, video, photography, archival art and other forms of interaction with artists and cultural producers concerned with the idea and the material reality of what goes by the name of the "natural environment."
Image: Art & the Environment in East & Central Europe, ARTMargins, project landing page
Desktop Image: Jana Želibská, “Betrothal of Spring,” happening, 1970, Dolné Orešany, Slovakia. Image courtesy of the artist.
UNFREE FREEDOM (2011)
Center for Book and Paper Arts
Columbia College, Chicago
October 29 - December 10, 2011
One of the defining events of the twentieth century was the momentous fall of the Berlin Wall on November 9, 1989. For many Central and Eastern European artists the political and social changes that followed the break-up of the Soviet- bloc, fundamentally changed the subject and style of their work. UNFREE FREEDOM examined how blacklisted artists responded to the restraints imposed on them under communist regimes and how their worked changed when those systems fell apart. Featured artists include former dissidents who took the view that being blacklisted was a refuge away from the government mandate of making work in the Socialist Realism style ... a place and state of being that Slovak artist Rudolf Sikora termed an “unfree freedom.” The exhibition also includes artists' books and other works by young, emerging artists who are responding to a new set of freedoms and constraints, brought about by democracy, capitalism and globalization.
Artists, and the work that they produce, inspire us to do things that we might not otherwise chance. They lead the way by breaking taboos and exploring subjects that are controversial. They help us to push and expand our own creative limits, and they give us an opportunity to play as spectator. . . . The four artists in this exhibition each create work that explores a different aspect of play. Each of them combines craft with photography and other media to create work . . . .
From play Exhibition Catalog Introduction by Janeil Engelstad
Featuring the work of Madeline De Joly, Rebecca Ringquist, Zoë Sheehan Saldaña and Melissa Zexter.
Image: Catalog (cover, detail), image by Rebecca Ringquist
ART WORKS: Teenagers & Artists Collaborate on the Polaroid 20" x 24" Camera (1993-94)
of Photography, New York, NY
California Museum of Photography, Riverside CA
Center, Boston, MA
Cleveland Center for Contemporary Art.
Art Works grew from my time volunteering at The Education Project (TEP) in New York City. Looking to create a program that included homeless youth from an after school program I was teaching, Art Works began during a staff meeting at TEP, where I suggested approaching Polaroid about have the teens work with the 20" x 24"
Camera. Ten teens were matched with professional artists to create work on the giant camera, which was hand built by Dr. Land, the inventor of Polaroid.
We worked closely with the teens to clarify their ideas
before their first meeting with their artist/collaborator. The teens were briefed about the artists and
their work and were encouraged to take an active role in the partnership. The artists were briefed about the teen’s
personal histories and their particular interest in the arts. If the teens had any inhibitions they
evaporated as quickly as the images appeared on film. The immediacy of the Polaroid process was a
potent way of stimulating enthusiasm and a free flow of self -expression.
Art Works had a measurable impact on each participant. Additionally, in each location
where Art Works was exhibited photography workshops for local at-risk
and homeless youth were produced in partnership with
the education staff of the host institution.
Participants: Andres Serrano + Paul McGinnis; Carla Weber + Zahrah L.; Chuck Close + Lee Hines; Félix González-Torres + Arieana R; Jean Vong + Jennifer R.; John Divola + Ishah B. Miah; John Reuter + Richard M; Timothy Greenfield-Sanders + Helena C; Laurie Simmons + Kenlly Rodriguez; and William Wegman + Fernando Ruiz.